Ultra-photorealistic still life: single origami crane folded from cream-colored washi paper with visible fiber inclusions and natural texture irregularities, resting on raw untreated oak wood plank surface showing prominent growth rings, knots, and natural grain patterns – warm directional side light from left at 45-degree angle grazes across precise paper fold edges casting soft gradient shadows into paper valleys and creases, suspended dust particles drift visibly in light beam, extreme shallow depth of field isolates crane against soft-focus wood grain background, vast negative space on right third of frame, shot on Hasselblad H6D-100c with 80mm f/2.8 lens at f/4, natural window light, 8K medium format resolution, sharp focus on crane's head and wing folds with natural paper fiber texture visible, subtle micro-shadows in each origami valley, authentic material imperfection with slight paper edge fraying, real dust grain in air, physical light falloff, Japandi aesthetic, Muji minimalism, muted earth tones, cream and honey oak palette, museum-quality composition, contemplative mood, handcrafted precision meets organic wood character, tangible quietness – no cartoon look, no plastic texture, no artificial smoothness, no oversaturation, no AI artifacts, no watermark, no text overlay, no impossible shadows, no distorted paper geometry, 16:9 aspect ratio